By Pablo Gorlero
When opened Spring Awakening, the musical version of Wedekind's work, March 19, which it subscribes and a group of friends agreed that the work that was presented was of high quality in every aspect, but was neither a conventional musical comedy or a drama classic universal or a show for adolescents. Difficult to imagine what target audience would see it. Is complex, not box office (even on Broadway was a great success despite the awards) and is part of this group of new musicals, atypical invoice showing that the genre is constantly evolving. And that evolution is necessary.
Spring Awakening ran with the disadvantage of being one of the first of its kind (in the Argentina). It was not very good, not bad, but not enough to repay such production. Sunday was completed and had to add a greater role, due to demand. The young cast and the team used their coach until the end emotion to jump and dance with the "Blah, blah, blah", the powerful song most celebrated work. The fans screamed like a rock concert and some were even dressed as the characters. The producers were absent with notice. Perhaps
Spring Awakening is no longer in the history of vernacular musical genre one of the best casts. Each and every one of those chosen by the production and director Ariel del Mastro (also in one of his best work) managed to force uniquely unforgettable. A set? Undoubtedly, Federico Salles, as Moritz.
function Last Spring Awakening, on Sunday June 21
0 comments:
Post a Comment