(Expanding the article published in the supplement to DNA, the daily La Nación, 26 November 2010)
LOOKING YOUNG PUBLIC
By Pablo Gorlero
Pampeano of origin, making Cordoba, Alberto Ligaluppi is one of the most respected names in theatrical federalism. Perhaps the locals have begun to become familiar with their shape since last year, took the joint direction of the International Festival Theatre, along with Ruben Szuchmacher. From a very young
served as a theater director, teacher and artist in San Luis. After many years lived in New York, which was consolidated as art curator and producer. In the 80's, he settled in Cordoba. There he served as director of the Goethe-Institut Culture and was the architect of the Latin American Theatre Festival. All this wealth of knowledge on the gear of the cultural industries led him to be the leading candidate to succeed Staiff Kive the artistic director of the Theatre Complex of Buenos Aires, a position he confirmed to the end of August (the general direction of Charles Elia).
He immediately began to assemble the programming for next year. "It will be mixed. Kive party's idea of \u200b\u200beither side, mine. But I would say that we have the entire schedule to be announced in mid-December. In that programming will become clear that we are two. I think the brand will remain for Kive many years. Even me and I will be. He was here for many years to make this structure work. We must thank you have given a form that, somehow, we will modify. It was very symbolic in this theater. I find it very interesting affection and respect they have for their employees, "explains Ligaluppi.
- What will be the imprint Ligaluppi? -
Theatre Complex must regain the public less than 40 years. That's one of the things I'm working. And we should very strongly to the international season. At the time, the San Martin international had a season where everyone learned a lot. No one had to wait two years for a festival to see Pina Bausch or Philippe Genty. There are many proposals that pass near Argentina and found no place to mount here. The San Martín have there. We have a better look at Latin America. Probably Guillermo Calderon, Chile, come to lead, and wove an interesting network with Brazil to exchange performances. Also strengthen the co-production with Spain and France.
- What are the most urgent things to change?
-The amendments will be very slow. Try to have a broader program. Many managers of all ages who had not been in San Martin will now. That may be a giroimportante. We will open the door to more directors. I am also interested in the educational profiles. There will be a traditional process where every month a group of creative processes will visit each start to build a final assembly group. The coordinator of that will be Luis Cano. The rest is going to compete, we will try to come inside many people.
- What will give the budget for that?
"I imagine it will not be easy, but I am quite a fighter. There are certain things that have value in themselves. Co-productions are essential. The arrival of the Rond Point, Paris, will be a major exchange. A week of French theater in the San Martín, in June, will be missed.
- Is joint programming?
"I've managed with a policy of gradual change. Much of the schedule next year is Kive Staiff and we have respected. Our relationship is very good.
- What happens to the gradual dismantling suffered costume workshops and scenery, for example?
"There also is where you will see big changes ...
LOOKING YOUNG PUBLIC
By Pablo Gorlero
Pampeano of origin, making Cordoba, Alberto Ligaluppi is one of the most respected names in theatrical federalism. Perhaps the locals have begun to become familiar with their shape since last year, took the joint direction of the International Festival Theatre, along with Ruben Szuchmacher. From a very young
served as a theater director, teacher and artist in San Luis. After many years lived in New York, which was consolidated as art curator and producer. In the 80's, he settled in Cordoba. There he served as director of the Goethe-Institut Culture and was the architect of the Latin American Theatre Festival. All this wealth of knowledge on the gear of the cultural industries led him to be the leading candidate to succeed Staiff Kive the artistic director of the Theatre Complex of Buenos Aires, a position he confirmed to the end of August (the general direction of Charles Elia).
He immediately began to assemble the programming for next year. "It will be mixed. Kive party's idea of \u200b\u200beither side, mine. But I would say that we have the entire schedule to be announced in mid-December. In that programming will become clear that we are two. I think the brand will remain for Kive many years. Even me and I will be. He was here for many years to make this structure work. We must thank you have given a form that, somehow, we will modify. It was very symbolic in this theater. I find it very interesting affection and respect they have for their employees, "explains Ligaluppi.
- What will be the imprint Ligaluppi? -
Theatre Complex must regain the public less than 40 years. That's one of the things I'm working. And we should very strongly to the international season. At the time, the San Martin international had a season where everyone learned a lot. No one had to wait two years for a festival to see Pina Bausch or Philippe Genty. There are many proposals that pass near Argentina and found no place to mount here. The San Martín have there. We have a better look at Latin America. Probably Guillermo Calderon, Chile, come to lead, and wove an interesting network with Brazil to exchange performances. Also strengthen the co-production with Spain and France.
- What are the most urgent things to change?
-The amendments will be very slow. Try to have a broader program. Many managers of all ages who had not been in San Martin will now. That may be a giroimportante. We will open the door to more directors. I am also interested in the educational profiles. There will be a traditional process where every month a group of creative processes will visit each start to build a final assembly group. The coordinator of that will be Luis Cano. The rest is going to compete, we will try to come inside many people.
- What will give the budget for that?
"I imagine it will not be easy, but I am quite a fighter. There are certain things that have value in themselves. Co-productions are essential. The arrival of the Rond Point, Paris, will be a major exchange. A week of French theater in the San Martín, in June, will be missed.
- Is joint programming?
"I've managed with a policy of gradual change. Much of the schedule next year is Kive Staiff and we have respected. Our relationship is very good.
- What happens to the gradual dismantling suffered costume workshops and scenery, for example?
"There also is where you will see big changes ...
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